ALL THE LOVE YOU CANNES!

TROMA & CANAL+ LIGHT UP THE RIVIERA
by DOUG SAKMANN
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Lloyd Kaufman and the Troma Team were selected, along with 9 other filmmakers, to direct a live, all day webcast with Canal+, a French Entertainment behemoth. It was a truly great experience for both parties and the partnership went without flaw. Yaniv Sharon (of Terror Firmer and Citizen Toxie) and myself directed the action based on a script the Troma Team had put together in New York City. We had creative meetings several times a week to organize the story. Lloyd was the narrator, and as we brought each bit to the cameras, he would do a set up in French.
The subject of the broadcast was A Day In The Life Of The Troma Team at Cannes 2000. We had originally planned to shoot over half the webcast indoors but when we got to France, Canal+ told us that everything had to be shot outside. We had to move almost all of our shots onto the beach or along the Croisette, (the main drag in Cannes).
We then met the guys in charge of the webcast, Stephane and Cristophe. It was one my first encounters with Canal+ and I was blown away. As a Troma employee I was used to cheese sandwiches and wood alcohol. But Canal+ had a huge tent, stage, a compound on the beach filled with computers and other Flash Gordon style gadgets. But Canal+ was no gang of Poindexters. The crowning gem was their 24-hour a day open bar. Troma was invited to come and go as we pleased. Naturally, I saddled up to the bar next to Kabukiman and tied one on for the ride. Lloyd and Yaniv got trashed with the Canal + guys as the script was worked out. My copy was a mess of scribbles; since I was the only one taking notes and I have the handwriting of an arthritic chimpanzee. It was eventually the script we used.
The day of the webcast, May 15th, we arrived at the beach by the Canal+ Headquarters at 10:00am. We were treated to free drinks and breakfast. It was the first bite of food many of the Troma volunteers had eaten since they arrived at Cannes. Paolo the Swedish intern had trouble chewing because he'd lost most of his teeth to gout, and all of the Tromettes were weak with malnutrition. Canal+'s food provided much needed sustenance.

Then it was time to shoot. The script involved Lloyd going to Troma Headquarters expecting to see everyone hard at work, but when he arrives everyone's passed out. However, we could not shoot indoors so we had to have the Troma Team passed out on the beach. The script evolved into a fiesta of heavy drinking, shitting, vomiting and sex on the beach.

The next scene was based on real Troma experience. We searched through garbage cans looking for food. There were croissants planted in the cans that were supposed to be clean but some feisty members of the Troma Team actually insisted on eating real garbage. Old habits die hard.

The following scene was supposed to have a naked man (Yaniv) getting pushed out of his hotel room by the rest of the Troma Team. We couldn't shoot indoors, so Canal + hooked us up with a Smart Car. The idea was for me to drive up to the Troma Team and push naked Yaniv out of the car and onto the street. However, French cars are quite different from American cars, so when the time came for the shot I couldn't release the brake. The Troma Team ended up walking up to the car and then I just pushed Yaniv out and sat there instead of zooming away. While Yaniv was running naked, that Colombian Coffee guy came up with his mule and we got him in the shot. It takes a brave man to run naked next to a mule.

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